les réversibles

In the context of an art gallery or museum, the visitor is invited
to physically feel “reversible time,” to handle it, provoking the
transfer of a volume of sand from one receptacle to another.
This releases a sound, which gradually dims in relation to
the amount of sand that flows. Plunging into the auditory
dimension, the actor-spectator has to move in order to visually
observe the cone in formation. Laden with memory, he is also
perfectly capable of freeing himself from that fatality that binds
us to the inexorable, in one obscure yet joyous leap, where
borders disappear and spaces surpass their limits...